Week in Seven Words #492

bouts
He makes his wrestler figurines tussle in the grass. When called indoors, he leaves them propped against a lamppost to rest until the next match.

dusky
We walk along the river right after sunset. The buildings blush slightly before going pale in the dark.

fortify
Outside in the dusk I watch fireflies and listen to crickets while thinking, "Hope for the best. Prepare for the worst."

purslane
A weed that has overrun the garden beds is very nutritional. It's amazing how something dismissed as a pest can contain more nutrients than the vegetables it's supplanting.

reproduced
The women all look similar: long, wavy-haired wigs, super high heels, thin figures, babies hanging around them and on them.

snarly
For the entire subway ride, she speaks to her kids in threats. ("I'll slap the sh*t out of you," she snarls at one point.)

teenager
He squirms in the photos, grins while dancing with his friends, and delivers a speech in a dogged way, as a commitment made and seen through.

Eight Short Stories Dealing With the Complexities of Gratitude and Good Deeds

Title: The Advocate
Author: Janet Frame
Where I Read It: Prizes

Ted is super helpful. On a busy street, he assists people with disabilities or kids separated from their mothers. He puts in extra time at work. And he keeps referring to the many friends he has, and the people at work who like and value him.

Then why was he so alone? Why does he go to bed each night hoping for immediate sleep to ward off his loneliness? Why does he go every Sunday afternoon to the pictures and sit alone in the dark through two showings of the programme, and then return to his deserted flat and once more go to bed, trying to evade the loneliness?

He hasn't a friend in the world, and he knows it.

Ted is super helpful, or at least that's how he sees himself. Behind his back, people call him unflattering things, like "conceited" and "overbearing." But what happens after his death? They say nicer things about him at his funeral - that he was "helpful," "courteous," "a noble and good man." Has the way he died influenced how they choose to remember him (or how they say they remember him)? His attempts at helpfulness form a shell around his hollow life, and the way people speak of him after he departs from that life doesn't change how isolated he was. His helpfulness never meant as much as he wanted it to.

Title: The Comforts of Home
Author: Flannery O'Connor
Where I Read It: Everything That Rises Must Converge

Fear, anger, and self-hatred are often directed outward. Good deeds may be twisted by a lack of self-awareness and a poor understanding of other people. Gratitude is easily overshadowed by resentment and contempt.

Thomas, the main character, is in his 30s and lives with his mother, who supports him and tends to him. When she extends her generosity to an unstable young woman, Thomas finds the situation intolerable. His life is shaped by his mother serving him, and by the voice of his deceased father, a man with a rotten character; his father's voice is in his head, corrupting him and rendering him powerless to be his own man. Thomas shares some similarities with the young woman he hates, namely the fact that neither shows much gratitude to his mother. They're also both stunted people. Instead of fighting to understand himself better and push against the demons in his head, Thomas makes the fight external, so that his mother's home becomes a battleground where he pits himself against a female demon. He can't see or admit to himself that he's stuck in a state of immaturity or that (horrors) he may even find this woman sexually attractive.

Title: The Embassy of Cambodia
Author: Zadie Smith
Where I Read It: The Best American Magazine Writing of 2014

Fatou is an undocumented African immigrant who currently lives in England and works for the Derawals, a wealthy Indian family. She considers whether she's their slave, as they withhold her wages for food and board and keep hold of her passport. However, they don't keep her locked up, maybe because there are few places she can go. One exception - that Fatou makes an exception for herself - is a local health club; she sneaks into the club using one of the Derawals' guest passes that they've forgotten about. And she makes one friend, another immigrant studying part-time in England and working as a night guard.

The story highlights sharp divisions. A street, even in a first world and supposedly liberal country, can be carved up among different ethnic groups who keep to themselves. There are also divisions based on wealth and on one's status as an immigrant. Fatou can't declare to the wider world who she is and where she lives. Back home, she worked at a resort and was raped by a guest who afterwards pleaded with her not to tell anyone, as if the authorities would have helped her. So she's in England, working for a family that despises her and would respond to accusations of injustice by insisting that she feel grateful for their employment. However, when she saves one of the Derawals' children, they find that they can't live with gratitude towards her. To feel grateful to her would mean seeing her as a fully fledged human, and the position in which they've placed her doesn't allow for her full humanity.

What on Earth does the embassy of Cambodia have to do with any of this? Fatou passes by this embassy. She can't see past its walls or know who is playing a game of badminton on its grounds. The idea of Cambodia is an abstract one. She's as of little concern to them as they are to her. People can live a short distance from each other and know nothing of each other.

Title: A Gift from Somewhere
Author: Ama Ata Aidoo
Where I Read It: The Art of the Story

The story starts with an encounter between two people: a wandering religious man who scrapes together a living offering spontaneous prayers and placebos, and a woman who's afraid her baby is dying. Her other babies have died, and this one looks like he's going to follow. The man, who didn't anticipate having to work miracles with a nearly dead baby, is terrified the child will die in his arms; as soon as he has handed out an injunction to the mother for preserving life, he gets out of there and leaves the child to its almost inevitable death.

The story then shifts perspective to the mother. Her baby, named Kweku Nyamekye, unexpectedly survives and becomes a thriving boy. Was it a divine miracle, worked through the religious man? What happened exactly to cause the reversal in her fortunes and her child's? It's a mystery. There's also another mystery that the mother can't understand - the hatred that her husband feels towards Nyamekye. Maybe he envies the extent of her devotion to the child, what she's willing to sacrifice for the boy and the bright hopes she holds for his future - an adult life that will maybe offer more possibilities and broader horizons than his father's. The characters seem to live in an invisible, complex system of weights and balances, where the calculations are made just out of sight.

There's a ferris wheel feeling to the story, sinking and rising in one's chest, only the ferris wheel is an unstable one; it wobbles more than is safe and might tumble and roll away. Despair rises to hope and joy; hope and joy sink to anger and defensiveness, before rising again to hope. One person's fortune might feel to another like a curse. Throughout the narrative, there's a bewilderment about why people behave the way they do, and why events unfold as they do. The characters are religious, but ascribing events to divine will still leaves them uncertain and reeling, shaken with gratitude and joy or staggering with loss. There's little they take for granted.

The Daughters in Dombey and Son by Charles Dickens

Paul Dombey is wealthy, proud, and heartless. Well, not entirely heartless. He shows signs, even at the start, of being able to feel a bit of unease now and then at how he treats his daughter, Florence. Because she isn't a son who will one day go into business with him, he maintains a distant coldness towards her and suppresses the occasional twinge telling him that he's not as a father should be. At various points, he also feels hatred, jealousy, or outrage because of the love and loyalty she receives from people who should be giving their attention primarily to him.

Dysfunctional parenting is a major part of Dombey and Son, which I read for the Classics Club Challenge. Dickens makes a connection between cruelty and neglect in private homes and cruelty and neglect in public life. Mr. Dombey measures Florence's worth by what she can bring to his business; she doesn't seem worth much in monetary terms. Similarly, there's a scene where Florence, as a child, is kidnapped for a short while by an old woman who steals the nice clothes off her and gives her some rags to wear before setting her free. As she tries to make her way home, Florence is soundly ignored or sneered at because of these rags; in public, her worth is measured by how much (or how little) money she appears to have.

Two other daughters in the novel – Edith Granger and Alice Marwood – are additional examples of the harm that comes from viewing people and relationships in a purely transactional way. In their case, it's their moms selling them into marriage or prostituting them. Florence, at least, had the benefit of knowing that her mother loved her; perhaps this is one reason Dickens has her maintain her angelic character. Edith and Alice, in contrast, are full of rage and bitterness, and Dickens winds up pushing them out of the way by the end of the novel, giving them tidy endings in an overseas home or in death. Florence gets to stick around because she maintains purity and an inhumanly forgiving personality. No anger for her, unnaturally so. (Among the wronged daughters in this novel, the options are all-consuming rage combined with compromised sexual purity OR unblemished forgiving sorrow combined with sexual purity.)

In any case, Dickens has chosen women as the primary way of showing the dangers of treating people as objects in a transaction, with Florence worth nothing to her dad, and Edith and Alice worth only as much as they can bring to their moms through looks, charms, and/or pleasing accomplishments.

Edith, by the way, is Mr. Dombey's second wife, and one reason their marriage tanks so quickly is that Dombey uses a go-between to express his displeasure to her. This go-between is Mr. Carker, the right-hand man in Dombey's business. (This is another way Dombey is mixing business with personal relationships.) Carker is the most smiley villain I've seen in any book. At no point did I come close to forgetting that he smiles a lot, because Dickens refers endlessly to Carker's teeth. Well, not endlessly. Carker does come to a pretty grim end, and his teeth stop appearing in the novel.

What I like best about Dickens is his description of places (here's one example) and certain psychological states and social conditions. His characters, however, don't feel quite real, even if some of their thought processes are complex and real. His descriptions can be wonderfully inventive, but he also falls back on repeating dull phrases like "weary head" and "little hand." The book, which is roughly 950 pages, is over-sweetened and made false at various points by excessive sentimentality. It's also larded with repetition.

I still think it's worth reading because of its better parts and its themes, particularly how genuine love and closeness can't exist in a relationship that's based primarily on how useful someone is to you in the wider world.

Four Very Different Short Stories Focusing on a Female Character

Title: Comforter of the Afflicted
Author: F.H. Batacan (Maria Felisa H. Batacan)
Where I Read It: Manila Noir
This story is set in Manila and centers on the investigation into the murder of Olivia Delgado ("Libby"), who was helping abused women escape from their violent partners. Although she is dead, Delgado remains a living presence, solitary and tenacious. She had channeled her anger into a lifelong struggle within a system where abusers usually have significant advantages, not least because victims are often conditioned (both by the abuse and by wider social mores) to bear the abuse without complaint.

The story becomes an unsentimental tribute to her and her life spent putting up a mighty fight, starting when she was young and attempting to protect her mother from her father. Delgado died fighting also. In spite of how it all ends, the struggle was worth it.

Title: Edie: A Life
Author: Harriet Doerr
Where I Read It: American Voices
A story about a nanny, and it isn't twee or in the least romantic. The writing has a wryness steeped in melancholy. The nanny works for a family where the father was only really in love with his first wife, who died. His subsequent wives aren't suitable. It's not that they're "evil stepmothers;" they just don't really fit into the household.

The nanny, meanwhile, can't serve as a replacement mother. However, she gives some kind of stability to the children and space on her wall for their eerie pictures. What happens when the children grow up? Is she forgotten, having never been a part of the family in a way they recognize? She has worked at the heart of the family but remains at its margins.

Title: Ruminations in an Alien Tongue
Author: Vandana Singh
Where I Read It: Other Worlds Than These

"To understand the aliens I became a mathematician and a musician. After that, those three things are one thing in my mind: the aliens, the mathematics, the music."

I found this story enthralling. It's lovely to see a story that combines math, music, and language, instead of rigidly dividing up the disciplines. The main character, Birha, is a professor on another world who has unlocked an alien outpost and studied the alien tongue (acoustical scripts and poeticas, a kind of instrument). There's also an alien artifact that changes the probabilities of events.

The story comes in waves and spirals. There are meditations on love and self and time. I think of this story as a journey that I went through wide-eyed and bewildered.

"I am myself and yet not so. I contain multitudes and am a part of something larger; I am a cell the size of a planet, swimming in the void of the night."

Title: Tits-Up in a Ditch
Author: Annie Proulx
Where I Read It: Fine Just the Way It Is: Wyoming Stories 3
Raised by her grandparents, a girl grows up unloved and unvalued in Wyoming ranch country, in a story that deftly renders an entire society, the way it's changing, and everyone's status in it. Proulx shows the girl's life unfold from childhood to an early marriage and a stint in the military during the 2003 Iraq War.

I like when an author shows the ways an individual life is enmeshed in a particular culture and shaped by family dynamics. There's a degree of inevitability in this story's depressing ending. Not that people are utterly powerless or are merely a passive product of their environment. I've seen a tendency, however, to greatly underestimate the effects of upbringing and culture on the choices people make and the possibilities in their lives. The imagery of cattle in this story is tied to how the main character is pushed along certain paths.

Some thoughts on Home by Toni Morrison

In this Toni Morrison novel, two siblings leave their backwoods Georgia home, get even more scarred out in the world, and come back to find that home is a more complicated place than they’d ever thought. Not as stifling as in their childhood, and offering possibilities for rebuilding their lives.

The novel is set in the 1950s, and one of the siblings, Frank, has returned to the U.S. from the Korean War. He brings with him post-traumatic stress and memories that make it difficult for him to live with himself. He’s also black, and needs to transition from a recently desegregated army back to a society where segregation is still the norm, through official enforcement in some places and unofficial enforcement in others.

Meanwhile, his younger sister, Cee (nickname for Ycidra), flees her hateful grandmother by running off to Atlanta with a man who dumps her. Her search for better paying work brings her to the home of an unscrupulous doctor who hires her as his assistant and conducts unethical medical experiments on her and others.

It’s relatively rare to see novels featuring Korean War vets (and black vets, more generally). During the war, Frank has seen and done things that he can’t come back from. (“Back was the free-floating rage, the self-loathing disguised as somebody else’s fault.”) He has discovered things about himself that he would never have guessed at and that he doesn’t know how to confront.

The novel explores the question of what a home truly is. The characters lead precarious lives, and they could be driven out of their homes all too easily. So how does someone create a home when violence, destruction, illness, and complete destitution are nipping at the borders and can spill in at any moment?

Home is not simply a place, it’s a set of relationships and connections, and deep impressions on the mind and heart. The characters have perpetrated or witnessed profound violations in the world. Home is a place where you’re not degraded and where you ought to be free of those violations. At home, you can confront the demons and have people stand beside you.

Cee gains new strength with the help of women who stand in for the lack of a mother figure in her life. Chief among them is Ethel Fordham, who tells her, “Somewhere inside you is that free person I’m talking about. Locate her and let her do some good in the world.”

So home is where you can heal, among people who find worth in you, and it’s where you can do worthy things, even in the face of harsh odds. Of Ethel’s garden:

Her garden was not Eden; it was so much more than that. For her the whole predatory world threatened her garden, competing with its nourishment, its beauty, its benefits, and its demands. And she loved it.

Morrison doesn’t sentimentalize home or make the folks of this backwoods town charming and endearingly simple. Other authors might have gone down that path and trivialized the story and the struggle of these scarred characters.

Two old movies with false preachers

Title: The Miracle Woman (1931)
Director: Frank Capra
Language: English
Rating: Unrated

It's Barbara Stanwyck's performance and screen presence that make this movie worth watching. She convincingly plays all shades of emotion, from righteous fury to tenderness to despair. She subtly expresses conflicted feelings and moments of doubt.

Her character, Florence Fallon, is the daughter of a minister. At the start of the movie, she delivers a tirade from the pulpit of her late father's church, because the congregation had treated him callously. After the congregants leave her to her anger and grief, a con artist (played by Sam Hardy) takes advantage of her in her vulnerable state and persuades her to enact a revenge against all the falsely pious people out there. He launches her into stardom as a fake faith healer, and she travels around giving fiery speeches and tricking people into giving up their money.

Even though Florence has become a false preacher, her words still have power in a way that sometimes does good. John Carson (David Manners), who lives alone and is blind, is convinced not to kill himself when he hears her over the radio. Although he's skeptical about faith healing and the spectacle surrounding her preaching, he's still moved by her and attends one of her shows to find out more. Florence herself is starting to get tired of her false preaching, and meeting John gives her a further push towards an honest life.

There are things the movie could have done without, namely the over-use of a ventriloquist dummy. But I liked how it shows faith and love struggling to find a way out and take root, in spite of everything that tries to cloak, choke, or impede them.

Title: The Night of the Hunter (1955)
Director: Charles Laughton
Language: English
Rating: Unrated

The Night of the Hunter has the landscape of a dark folk tale. A river at night where young children escape by boat from a frenzied murderer. The murderer standing over the children's mother in a cramped and shadowed bedroom. The silhouette of an old woman with a gun held across her lap as she defends a house full of children from the murderer. During that scene, the old woman, Rachel Cooper (Lillian Gish) sings a hymn, and the murderer, a false preacher named Harry Powell (Robert Mitchum), joins in from where he sits outside in the dark. The words he uses are a little different from hers.

Powell is able to pass as a preacher not only thanks to his charisma but because he taps into some twisted beliefs that already resonate in the communities he cons. He exploits existing unhealthy ideas about female sexuality and marriage. He's good at finding the places where love and compassion are lacking. Like other predators, he also hones in on vulnerable people: lonely widows, girls raised without love, children who lack the protection of reliable adults.

These are some of the psychological insights that emerge in this riveting and disturbing movie. The movie is also sensitive to the behavior of children who have been hurt, abused, or betrayed. For instance, John (Billy Chapin), the young boy who flees the murderer with his sister, Pearl (Sally Jane Bruce), receives a great gift from Rachel Cooper when she believes him that Powell is a dangerous man. John wasn't expecting to be believed when it was his word against the word of an adult. In another scene, he winds up beating Powell with a doll, and it's really a moment when he's raging against his birth dad, who stole the money that led Powell to appear and win over the children's mother, Willa (Shelley Winters). In another scene, Ruby (Gloria Castillo), one of the vulnerable children in Rachel Cooper's house, admits to sneaking out at night. Rachel responds by holding her and talking to her about the difference between real love and the kind of superficial (and potentially dangerous) attention Ruby gets from boys and men, which she has mistakenly confused for love.

The movie is richer for all of these moments. But it's also worth watching just for Mitchum's performance as a superficially charming terror, a real nightmare figure who can smooth talk in one scene and hunt children like a beast in another.

The Tenant of Wildfell Hall: Exploring Abuse and a Degraded Culture

... how many of my thoughts and feelings are gloomily cloistered within my own mind; how much of my higher and better self is indeed unmarried - doomed either to harden and sour in the sunless shade of solitude, or to quite degenerate and fall away for lack of nutriment in this unwholesome soil!

Anne Bronte's novel explores emotional abuse - in this case, within a marriage. She also looks at the bigger picture of how abuse may be condoned, ignored, or encouraged by the surrounding culture.

The narrator, Gilbert Markham, meets a woman who has moved with her young son to Wildfell Hall, a home in his neighborhood. He comes to know her as Helen Graham, a widow who paints for a living. After a serious misunderstanding, she gives Gilbert her journal, which explains her marriage and her flight from an abusive husband. Until that point, Gilbert was the sole narrator. The journal focuses the novel on Helen's voice and story. A woman finding a way to express her usually buried thoughts or live independently through writing and art is an important theme (one that I remember emerging in Charlotte Bronte's Villette and Jane Eyre too). Helen's husband destroys her paintings at one point. In another scene, she fights off an attempted rape (from one of her husband's guests) by using a palette-knife, a tool of her art.

Paper Tigers (2015): How Did One School Change Its Approach to Delinquent Student Behavior?

Paper Tigers is a documentary set in a school known for high rates of delinquent student behavior and academic failure. It explores the background of some of the students and shows the changes undertaken by the school to help students deal with various problems, graduate, and even go to college.

Many of the students come from homes that are broken in some way. One of the critical parts of Paper Tigers is a discussion of ACEs (Adverse Childhood Experiences) and research showing how a greater number of ACEs in childhood leads to an increased risk of all kinds of problems throughout life - such as abusive relationships, poor health, struggles with work and finances, and mental illness.

ACEs include emotional, physical, and/or sexual abuse, and households with domestic violence, substance abuse, mental illness, or family members in prison. However, when children and teens have a healthy relationship with an adult, it serves as a protective factor that can help mitigate the effects of ACEs.

In the past, the school's approach to misbehaving students was purely punitive. The documentary shows how teachers began to also offer mentoring and guidance, not only punishments. The school also set up an on-site clinic that provided some basic health services and counseling. By the time the documentary wrapped up, there was a significant drop in the kinds of behaviors that lead to detention, suspension, or expulsion, and there were higher rates of graduation.

I like how the documentary shows the communal effort it took to make this new approach successful. Of course it depended on each teacher working with dedication and spending time with students who aren't used to positive attention from an adult. But the teachers were also able to give each other support. The school administration was fully committed to them and to the students. And the community at large supported the school. As inspiring as it is to read stories about a lone teacher bucking the system to reach out to students, a school-wide change works so much better when everyone is working together. It's more effective, and there's less burnout.

The documentary is also important for opening up a discussion about traumatic childhood experiences. These aren't one-time events - they're ongoing toxic problems that chip away at mental and physical health and stunt development. I also wondered about the teens who don't act out, but who keep things bottled up. The documentary doesn't really focus on the kids who struggle but don't express it through crime, violent outbursts, and other misbehavior. It was impressive, however, just to watch teachers who genuinely care about their students' academic performance, well-being, and life prospects.

Three Billy Wilder Films on Self-Respect

Much goes on in these movies directed by Billy Wilder, but an important theme in each is self-respect.

Title: The Apartment (1960)
Language: English
Rating: Not rated

The main characters in The Apartment are commodities, useful to the executives in the company they work for. C.C. Baxter (Jack Lemmon) is a corporate drone who lets the higher-ups use his apartment for extra-marital hookups. Fran Kubelik (Shirley MacLaine) is an elevator girl who has made terrible relationship choices. One executive in particular, Jeff Sheldrake (Fred MacMurray), has them living in the palm of his hand. They look to him to make their lives better, even though he's a major source of their problems.

By the end of The Apartment, both Baxter and Kubelik gain some self-respect. The movie plays out as a comedy sometimes, a drama too (with MacLaine's performance really holding the movie together and giving it its emotional weight). It's also a romance, though I didn't care much about Baxter and Kubelik getting together. They break free of Sheldrake, and the movie ends with a card game, which struck me as a reminder that they've now entered a chancier sort of life. They've lost some security in their future. Before, life played out predictably. Their increased self-respect is worth it, but it's risky. At least now they're stronger and can bear those risks.

Spotlight (2015): A Look at Abuse Dynamics

Title: Spotlight
Director: Tom McCarthy
Language: English
Rating: R (language, descriptions of sexual crimes)

Spotlight is low-key and intense. Based on a true story, it shows the methodical, plodding, emotionally draining work put in by a team of investigative reporters from The Boston Globe, as they revealed a widespread coverup of child sexual abuse in their city's Catholic church hierarchy.

The movie stays respectful of its subject matter. There's no mindless grandstanding or sensationalism. It presents disturbing details in a straightforward way.

Though the movie focuses on one major religious organization, it highlights some general characteristics of abuse and institutional coverups:

Six Short Stories About Children Dealing With Injustice

Title: The Balek Scales
Author: Heinrich Böll
Translator: Leila Vennewitz
Where I Read It: A Walk in My World
"The Balek Scales" reads like a folk tale. It's set in an area of European countryside ruled by the wealthy Balek family. By law, only the Baleks are allowed to own a set of scales. Local villagers bring produce and what they've found foraging, like mushrooms, to the Balek scales and receive payment based on weight.

A boy (the narrator's grandfather) discovers that the scales are rigged. The villagers' response feels like a scale tipping. They've accepted a certain amount of injustice in their lives, but this uncovered lie tips them over into outrage. What changes for the villagers after the lie gets exposed?

The villagers can apparently cope with little money for lots of hard work, as long as they enjoy some pride and some faith in the order of things. The Balek family didn't just injure them materially with the rigged scales. They wounded the villagers' dignity. They also degraded their own image. The discovery of their cheap, mean dishonesty broke their power over the villagers' minds. It also makes sense that a child discovers the rigged scales. A child who still plays and is still only learning how to do things the way things have always been done.

Four Short Stories Featuring Trees

Title: Joshua Tree
Author: Emma Bull
Where I Read It: The Green Man: Tales from the Mythic Forest

"My point is, sometimes truly crappy experiences have a crowbar effect on the rest of your life. Everything shakes loose. Then you can let it go back to the way it was, or you can step in and make something happen, something that might be permanent."

Tabetha Sikorsky is a teenager growing up in a desert town attached to a military base. It's a dead town, full of dead-end jobs and people who feel their lives have gone nowhere. Tabetha knows she might become one of them. Then a new girl shows up, and some interesting possibilities open up for Tabetha.

One night she's lost in the desert and in danger of dying. However, the night also becomes an opportunity for her to rediscover the weight and meaning of her life.

"But sometimes I can still have these moments of total happiness. And I feel as if every time I pretend to be happy, I'm scaring that real happiness off."

I like how she finds new vitality, taps into the wellspring of life, in a desert. And specifically, among the spiny, twisty, miraculous Joshua Trees.

13 More Short Stories for Friday the 13th

Like I said the first time I posted a Friday the 13th short story round-up, I don't believe in the superstition of the day. But I'd like to share stories I've read that have some combination of dread, distorted thoughts, strange phenomena and/or horror.

Title: A Diorama of the Infernal Regions, or the Devil’s Ninth Question
Author: Andy Duncan
Where I Read It: Fantasy: The Best of the Year 2008
This coming of age story, set in the 19th century American South, reads like the set-up to a novel, or maybe a computer game; but it feels complete too. The main character, Pearleen Sunday, was dumped as a baby on the doorstep of an unscholarly museum. It's run by a man who likes to use magic tricks, sex, tall tales, and eye-catching visuals to draw a crowd. As she's growing up, Pearleen has a variety of chores, like working the diorama of the infernal regions - a huge moving strip of canvas that depicts all kinds of hellish torture to museum visitors. But whenever she stands behind it, cranking it into motion, Pearleen sees different images from what appears to be another world.

One day, a visiting magician, Farethewell, needs a last-minute replacement for a young female assistant in his magic show. When he asks Pearleen to step in, and she sees the humiliation in store for her, she flees and leaps into the back of the diorama, which leads her to the ghost-filled mansion of an old widow, Mrs. Winchester. And though she isn't in the infernal regions as depicted by the diorama, Pearleen will still meet the devil's son-in-law.

Pearleen chooses between a coming of age experience that would turn her into a sex object and one where she discovers where she might belong and what her powers could be. It's an odd adventure and hints at more to come.

Week in Seven Words #268

cantankerous
The dark building scowls at the street, its face scarred by scaffolding. The names by each mailbox are peeling off like scabs.

lazing
I'm tired of the expression "politically correct." It's become a knee-jerk criticism, a shortcut in thought.

liberated
Half of the fence has collapsed towards the house, the other half towards the lawn. An evergreen shrub has thrust itself into the gap.

ribbing
A broken umbrella tumbles between the cars, tickling them as it goes.

smirking
Another expression I'm tired of - more than tired of, I'd like to pulverize it with my fists - is "good intentions." It's an excuse, a deflection, a pat on the back. A false innocence, a willful ignorance.

unattainable
Some people show you a love like the horizon. It'll be yours, they say, if you keep struggling towards it, on land, by sea, with everything in you. One day you'll have their love. Just make an effort. A real effort. Break yourself on the dream of it.

unshackled
Behind a restaurant, a waiter puts out his cigarette and break dances. Pigeons rocket away.

Four Short Stories Where an Animal's Misfortune Shows Something Toxic About People

Title: Everything in This Country Must
Author: Colum McCann
Where I Read It: The Art of the Story

Katie, the narrator, is a teenager who lives with her father on a farm in Northern Ireland. At the start of the story, their draft horse is stuck in a river and will likely drown. Salvation for the horse might come from a group of British soldiers passing by, but what will Katie's father choose - the horse's life or a burden of bitter gratitude to the despised soldiers? From the beginning of the story, all hope seems to have drowned. Katie's father can't imagine a world without grief, a world where even an inadequate reparation or artless act of kindness is possible.

Title: In the Zoo
Author: Jean Stafford
Where I Read It: The Granta Book of the American Short Story

Two orphaned sisters come to live with their grandmother's friend, Mrs. Placer, who runs a boarding house. The atmosphere in the house is poisonous, full of suspicion and malice. Mrs. Placer and the boarders talk about everyone in town in the worst light. They don't see good in other people; they like to puncture people's happiness and go out of their way to find petty motives even in kinder acts. The story shows the children marinating in this toxic environment.

Some escape might come from Mr. Murphy, a man who spends his days drinking and looking after a small menagerie. He gives the sisters a puppy one day, a bit of innocence and warmth in Mrs. Placer's house. The girls call the dog Laddy, and he becomes their companion. However, Mrs. Placer gets the idea that Laddy could be retrained as a fierce guard dog. With harsh tactics, she turns the dog violent and calls him Caesar.

What the dog eventually does, and what happens to him, is the most obvious example of the kind of corruption and deformation that Mrs. Placer brings about. What she does to the girls is more subtle. Hers is a steady drip of poison.

Title: Puppy
Author: George Saunders
Where I Read It: The Book of Other People

There's a puppy at the heart of this story, and his survival depends on two people understanding each other. One is the puppy's current owner, a woman living in a mess of poverty, ignorance, good intentions and violence. The other is a prospective buyer, a woman who currently has a more stable, dignified life and wants to give her children a pet. The puppy is a mute character, sidelined. Though he's the one whose life hangs in the balance, he takes second place to the human drama - the quick judgments, the incomprehension and horror.

Title: The Silent Traders
Author: Yūko Tsushima
Translator: Geraldine Harcourt
Where I Read It: Mothers & Daughters

With her two young children, a woman has returned to the neighborhood where she grew up. Near her home there's an overgrown park, pleasant to visit, but also a source of mystery and unease. Cats have proliferated there. The woman remembers how, during her childhood, people would abandon pets in that park. All those unwanted animals dumped among the trees.

The park's a place where people get rid of what's messy in their life. But they can still imagine their pets thriving, leading fantasy lives in a magical wood. (Or maybe facing horrors in the dark.) The park is full of possibility. And the animals in it, cast aside, resonate with the woman in the story - as she and her children are also a mess in someone's life, a complication that needs to be put out of sight.

Week in Seven Words #257

disencumber
She talks like someone who hasn't had anyone hear her for a long time.

distorted
The grand hall is dark and full of music that rakes the air apart. Sickly green light slides down the walls and swirls around the ceiling.

enclosure
She is lying to others to give herself space to heal.

insistent
The unreasonable expectation that my friend will immediately run out and get a book I recommended, read it at once and respond to it with the same enthusiasm I did.

judged
"It was not the best day ever," she says, pronouncing judgment on a family outing.

loathsome
Protracted shame is one of the worst emotions anyone can feel. There's no hope in it. It's a dirty, secretive worm. That's why abusive people, whether consciously or not, are so eager for others to feel this; it keeps people suffering quietly, convinced of their own defectiveness.

pulverize
Music in waves that pound my eardrums to sand.

Week in Seven Words #218 & 219

218

exudation
The park smells of dogs, horses and dirt. Flowers too, but faintly.

handouts
When she discovers a crack in a tree, she stuffs it with peanuts. Let no (peanut-eating) animal have to look too hard for its food.

mush
He's hunched over on the bench with his pudding and apple sauce while she pokes fun at him. She's not that much younger than he is, and I wonder how much of her mean-spirited teasing stems from fear - that sooner than she knows it, soft food will be dribbling out of her mouth in public places.

roosting
The outdoor bookseller waves away the pigeons that clamber on his paperbacks.

sighted
Trees with whorls on their trunks like languid eyes.

uncomfortable
When the wind skims the Reservoir, the water seems to flinch at the cold touch.

voiced
The birds melt into the evergreens. They would like to be heard but not seen.

10 reasons to watch Gaslight (1944)

Title: Gaslight
Director: George Cukor
Language: English
Rating: PG

Synopsis
Paula Alquist (Ingrid Bergman) used to live with her aunt, a famous opera singer who was strangled to death in her own home. Years later, when studying music in Italy, Paula falls in love with and marries Gregory Anton (Charles Boyer), a pianist. The two move back to her aunt's old home in a pretty London square, where Gregory patiently sets about destroying her sanity.

(The expression gaslighting - when you deliberately cause someone to doubt their own sanity, judgment, and other mental faculties - comes from the 1930s play on which this movie is based, though the movie itself is what really popularized its usage.)