The dog is brisk and friendly as always. Ready to take off on a walk, sniff the larger world, investigate fascinating stains on sidewalks.
In a more densely wooded part of the park, I keep an eye out for bird feeders. There were several in one spot the year before, creating the sense of a town square for birds, a plaza with restaurants. But it seems that no one has put up feeders this year. The joke is that even the birds need to socially distance.
A "we're all in this together" hope-inducing message displayed on an empty theater.
Tulips in fiery colors are breathtaking.
It's satisfying, the way the path curves along the lake, and you can't see too far ahead.
There's little sense of competency at the helm. I had been plugged into the news, but now I wonder if it's worth it. I don't think I'm learning much.
The streets are largely empty of traffic. Granted, it's easier to go on a walk this way. And the air is cleaner. But the emptiness is eerie, as if civilization has retreated slightly.
Language: English (with bits of other languages, like German) Rating: Unrated
This movie is an excellent espionage thriller. The main character isn't a hero, and I wasn't rooting for him to succeed, but I still found the story gripping, with all the twists, the double-crossing and mistrust and bitterness and greed. Also, James Mason's performance is wonderful.
Mason's character, Ulysses Diello, works for the British ambassador in Turkey during WWII. I won't tell you what his job is, because finding out as you watch the movie will probably give you more enjoyment. It's a job that has taught him how to maintain a neutral expression, regardless of his personal feelings. And he'll need this quality to pull off his nefarious plan, which is to sell some confidential information to the Nazis and then flee with the cash to start a new life elsewhere.
Does he achieve his hoped for ending, a life of luxury? Even if you're guessing that no, he doesn't, it's worth watching how it doesn't happen.
Title: The Friends of Eddie Coyle (1973)
Director: Peter Yates
Language: English Rating: R
This movie ends with both a whimper and a bang.
Eddie Coyle (Robert Mitchum) supplies weapons to bank robbers. He's also in contact with the feds, who want information about the higher-level gangsters he works with, part of an organized crime network in Massachusetts. Eddie is low on the organized crime totem pole, and he's in danger of going to jail for the rest of his life.
One thing I like about this movie is that it shows the sordid nature of crime. In other movies, criminal life often gets depicted as slick and daring. Here, it's a grubby world where people play against each other in the dark and scurry around to survive.
The shabbiness of Eddie's world also comes across in the shabby 70s atmosphere of coffee and pie in grubby diners, and cheap suits, and a gun dealer's loud yellow car.
The bank robberies in the movie are ugly and suspenseful. There's a real horror in them (starting with the masks the robbers wear), while at the same time everything about them is so shoddy and disgusting. Again, I like how there's no glamor given to crime.
Title: Pitfall (1948) Director: André De Toth Language: English Rating: Not rated
This is a merciless sort of movie. The lead character, John Forbes (Dick Powell), gets to drive away at the end with his loyal wife, but it isn't a "happy ending." The outcomes for some of the characters show a lack of justice.
Forbes has a steady job and a loving wife and son. The movie gives a wry intelligence to his wife that makes the early depiction of their home life a little more interesting, and not just saccharine. But Forbes is bored of his life and – in the course of his work in insurance – starts an affair with a model, Mona Stevens (Lizabeth Scott).
Mona is initially unaware of the fact that Forbes is married. Had she known, she wouldn't have started up with him. A surprising thing about Mona is that she isn't a conniving femme fatale. She isn't really a bad person at all, especially compared to the men around her. She attracts the attention of multiple distasteful men, including the dishonest Forbes, and – much worse – J.B. MacDonald (Raymond Burr), a private detective.
MacDonald is a gross, creepy stalker who's willing to coerce a woman into a sexual relationship. In a scene that's deeply uncomfortable, he shows up at Mona's workplace where she models clothes and has her try on different dresses while watching. Basically marking her as his property.
At the end, after various scenes of blackmail and violence, Forbes gets to coast back into his outwardly picture-perfect life. How does he live with what he's done? The ending has a bitter taste, but it's probably the ending best suited for this bleak movie.