The barefoot woman on the terrace is singing as she arranges her body into meditative poses. Her voice, clear and high, reminds me of the music of Hildegard von Bingen.
The tiramisu melts at the touch of the fork.
I feel like a package on a conveyor belt, directed first to the booth with the camera models, then to a counter for processing the order, followed by another counter for the payment, and then to the pick-up area, until I'm finally deposited through the automatic doors to the curb.
The first thing that delights him about the trip is the length between stops for the express train. For her, it's the garden where she hovers over flowers with her camera.
Exploring an herb garden: the spidery magic of milk thistle, and sharp, refreshing scents of rosemary and sage. The gardener gives a talk on women's medicine in the Middle Ages, including plants, like birthwort, that led to serious health problems. At one point, she begins referring to menses by its old-fashioned euphemism, "the flowers." Someone becomes confused about which flowers she's discussing.
The accuracy of the text is questionable, but the illustrations are compelling, inviting the reader to discover obscure connections between plants and people.
Her horror story begins with a man sitting alone on a boulder in the woods. It ends with a giant, murderous avocado bursting through a kitchen door.