Saturday, October 3, 2015

The dancing isn't the best thing about Dancing Lady (1933) and Dance, Girl, Dance (1940)

Older Hollywood movies often called on actors to display singing and dancing talent (and the movie industry actively recruited people from musical theater and vaudeville). Many of these movies are set in Hollywood's conception of a Broadway theater. And they can be pretty uneven, with weak plots strung around musical numbers that vary in quality.

The following two movies are uneven, but I still liked them for various reasons, including the fact that they're sometimes ridiculous. They're both theater stories, specifically stories of women trying to make it big in musical shows. Neither of them has amazing dance scenes.

(A movie I highly recommend, better than either of these and more witty, is Stage Door, which I wrote about here. It's also a much better choice if you want a non-musical drama and comedy; there are some brief scenes of dancing, but no musical numbers.)

Thursday, October 1, 2015

Week in Seven Words #263

Historic plaques in grotty subway stations. The subway system is teeming with stories no one knows, because people don't like to look around when they're waiting on a platform. They pretend they're elsewhere, maybe already at their destination, and not underground in the stale air and filth.

When I walk along the dead lawns, I imagine meeting my younger self, taking her by the shoulders, and telling her a thing or two.

I hear them chanting, and their voices are like chains of silver.

You find it in the folds of her robes: an owl. Few people would spot it or think to look for it. It will never venture out of its sheltered spot.

I know I have a craving for chocolate when every large brown boulder reminds me of fudge.

Heliotrope lipstick and hair a traffic cone shade of orange. She's lit up like a flare in the gray neighborhood.

The interior of the historic church is made of dust, marble and roses. A man in the pews bows his head - praying, or coaxed to sleep by incense and warmth.

Wednesday, September 23, 2015

The Periodic Table: A Chemical Narrative Framework for Primo Levi's Life

That is what nature does: it draws the fern's grace from the putrefaction of the forest floor…
The Periodic Table, which I read for the Classics Club Challenge, is author Primo Levi's autobiography told in a series of elements (and translated into English by Raymond Rosenthal). Levi worked as an industrial chemist and survived a year in Auschwitz after being captured while fighting in the Italian resistance against the Nazis. Each chapter in his book centers on a different element and how it ties into some facet of his life.

I loved this unique, poetic approach to the elements. What an element symbolizes or what its association is with his life might be subtle. But it's the organizing principle of his life's narrative (at least the one he shares here) - sometimes because a memorable episode of his life involved the use of a given element, other times because someone or something reminded him of it and its properties.

There might be an important lesson from chemistry.
… one must distrust the almost-the-same (sodium is almost the same as potassium, but with sodium nothing would have happened), the practically identical, the approximate, the or-even, all surrogates, and all patchwork. The differences can be small, but they can lead to radically different consequences…
But it isn't as if he spends the entirety of the text talking in chemistry-related terms. There's poetry too, and an exploration of philosophy and emotions. As when he's captured as a partisan.
During those days, when I was waiting courageously enough for death, I harbored a piercing desire for everything, for all imaginable human experiences, and a I cursed my previous life, which it seemed to me I had profited from little or badly, and I felt time running through my fingers, escaping from my body minute by minute, like a hemorrhage that can no longer be stanched.
Or when he falls in love.
In a few hours we knew that we belonged to each other, not for one meeting but for life, as in fact has been the case. In a few hours I felt reborn and replete with new powers, washed clean and cured of a long sickness, finally ready to enter life with joy and vigor…
And the poetry and chemistry freely mix too, as during his stint at a mine analyzing the soil for the presence of certain elements, he compares the elusive nickel to a sprite darting out of reach "with long perked ears, always ready to flee from the blows of the investigating pickax, levying you with nothing to show for it."

The use of the elements lends a certain weight and permanence to his life's story; he's tying himself to the stuff of the Earth. At the same time, his forays into chemistry often mirror the messiness and transitory qualities of his life; it's not all about simple, tidy formulae, though it feels like a triumph when a formula turns out as expected. Throughout the book he unearths episodes of his life and examines them. What holds them together? He constructs a loose narrative framework of chemistry and poetry. And somehow his life's story can hang together on that. (Which raises other questions about what constitutes a narrative, and how does one find meaning in life? He found an approach unique to his own life.)

Monday, September 21, 2015

Look Back at Summer in NYC 2015

A sunset over the Hudson


A walk through University Heights in the Bronx


and across the High Bridge from the Bronx to High Bridge Park in Manhattan


A hike through Van Cortlandt Park in the Bronx


A stroll through Fort Tryon Park in Northern Manhattan


with a stop at the Cloisters


Sunshine by the East River at Carl Schurz Park


Green shadows at the Pond in the southeast corner of Central Park


Sunday, September 20, 2015

Week in Seven Words #262

The sun's out, and the sand looks like snow, white and glittering.

She gives me her trust like she would her child. I cradle it with awkward care, feeling its quiet hammering pulse and knowing I must never lose hold of it.

On the playground, she encounters children who lie charmingly and convincingly, who are friendly one day and insulting the next. She doesn't know what to make of them; they confuse her. Beyond what they do, it's the why - the why is at the heart of the bewildered hurt.

Sleek men attend to their ale and steak.

The dog, at the end of her leash, recognizes my scent, whines, leaps and strains to get close, to be petted and present her belly for a rub.

Between me and him - a window pane, the twisted branches of a tree.

In their academic gowns, they circle the stage and size each other up, as if their battle of wits will be a physical brawl.

Wednesday, September 16, 2015

Short Story Recs: Back to School Edition

Title: After Rosa Parks
Author: Janet Desaulniers
Where I Read It: Breaking Into Print

Since her divorce, Ellie has become more cautious about making mistakes. Throughout the story, there's the feel of her treading carefully around places where land mines are buried (but can her anxiousness and caution help her sidestep them?). Her young son, Cody, has just started school and tries avoiding it, with its strange rules and people; he gets sent home ill. Her brother, Frank, a veteran who has traveled aimlessly, has come to stay with her; perhaps he'll be a father figure to her son.

There's little sense of permanence or promise in this story. Frank could disappear at any time. Cody perhaps intuits that school is the start of an initiation into a life full of small aggressions and other senseless acts that chip away at you, making you a small burrowing creature who can only face the scary world with your nose to the ground and your eyes downcast. To what extent does laying low and doing what you're supposed to do help you live?

Title: The Composition
Author: Antonio Skármeta
Translators: Donald L. Schmidt and Federico Cordovez
Where I Read It: A Walk in My World

Pedro, a soccer-obsessed boy growing up in Pinochet's Chile, is vaguely aware that his parents are anti-fascist, but when he asks what an anti-fascist is, his mom tells him he's just a child, and children aren't anti-anything.
"Children are simply children. Children your age have to go to school, study a lot, play hard, and be kind to their parents."
His life is a fairly happy child's life, except for jolting events, like when his friend Daniel's father gets taken away by the police. Then one day at school, he can't avoid politics any more. An army officer shows up and tells the kids to write an entry for an essay contest. He asks them to describe exactly what their parents do and talk about in the evenings. Will Pedro mention that his parents secretly listen to the radio? Will he write about their conversations? Continuing to be an innocent child will require some political savvy.

Sunday, September 13, 2015

Week in Seven Words #261

On stage, there's a doctor, silent for the most part, who hangs in the background of every scene reminding people of impending death. For the actor who plays him, it must be a fun if not challenging role - he gets to look grave and silent while listening to grand music, night after night.

Mango in ropy slices on a blue china plate.

What he tells her is a cop-out. "Heaven will reward you," he says. It's a consolation that's easy for him to offer, as he gently insists - at no cost to himself - that she give up what's important to her in this life.

They're all careful in the dim, carpeted room. Their shoes are off. They speak quietly, even about things that devastate them. On a table to the side, there's seltzer and cookies.

She sings her way to an early death.

When she hugs him, he keeps his arms by his sides and turns his face away.

She takes the view that people are motivated either by fear or by love in anything they do. Love and fear are battling all the time in her, and she's exhausted with both.