Showing posts with label servants. Show all posts
Showing posts with label servants. Show all posts

Thursday, July 18, 2019

Who's the Butler in The Remains of the Day?

Years ago, I watched The Remains of the Day, and just recently I read the novel, which was written by Kazuo Ishiguro.

The narrator, Mr. Stevens, is an aging butler who has been working at the same grand home for decades. In the 1950s, that grand home is owned by an American, a kindly man who encourages Mr. Stevens to take some time off. Mr. Stevens embarks on a weeklong road trip to visit a woman he still thinks of as Miss Kenton, though she has been married for years now. She was once a housekeeper working alongside him during the 1920s and 1930s, the pinnacle of his butlerhood, when the house belonged to Lord Darlington.


The novel alternates between Mr. Stevens' observations about his road trip and his reminiscences about his years under Lord Darlington. What I enjoyed most about this book is that it's difficult to pin the narrator down - who is he, really?

He says that being a butler is much more than wearing a costume of professionalism that one easily discards. A butler must be, at almost all times, in complete mastery of emotions, impeccable at service, ever correct in conduct, and placing the needs of his employer first. Only when a butler is completely alone, says Mr. Stevens, can he shed his professional demeanor.

The thing is, Mr. Stevens never seems to set aside his professional demeanor. Even in moments in the book when he's on his own, his mind is focused on professional matters. When it's revealed at one point that he sometimes reads sentimental love stories, he claims it's primarily to improve the way he speaks on the job. Though he unbends enough to admit to sometimes enjoying the content of the stories, this enjoyment is secondary to professional improvement.

He can't even talk about personal matters without first making them professional. His wish to visit Miss Kenton after all these years holds personal interest to him, but he ultimately justifies his trip by saying that he wants to talk to her about her potential return into service as a housekeeper, so that she can help him with a current staffing shortage. When he talks about his father, who was also a butler, he focuses not on their father-son relationship but on his father as a professional servant. (Mr. Stevens Sr., on his death bed, expresses the doubt that he's been a good father to his son, but Mr. Stevens Jr. dashes away to fulfill some duties rather than speak of this matter to his father.)

It's clear that Mr. Stevens is disconnected from himself emotionally, but is the disconnect really so powerful that he can barely understand himself? Or is he still deliberately acting the part of butler to his current audience, the reader? Because if he's addressing the reader, he isn't entirely alone, and he can't quite shed his butler persona and talk about certain personal issues more directly. Then again, the butler persona seems to be much more than a persona to Mr. Stevens. It's not acting - it's something that he's integrated into himself so deeply, and he probably wouldn't know how to behave without it.

Towards the end of the book, he speaks most openly about his profound regrets, but interestingly, he doesn't address this revelatory speech to the reader, but to a stranger who happens to be sitting next to him at a pier. The reader finds out by listening in, as it were.

Maybe confronting his regrets too directly, as an explicit part of his narrative to the reader, would lead to utter mental collapse. He needs his butler duties to prop him up. His commitment to duty has sheltered him all these years from overly close contact with other people, though of course they've left him with regrets. One regret is missing the opportunity to marry Miss Kenton. Another is that his former employer, Lord Darlington, who received Mr. Stevens' unquestioning loyalty and self-sacrifice, was a Nazi appeaser – maybe not so much because he subscribed to Nazi ideology but because he was a dupe who helped the Nazis influence other well-connected, powerful Brits to take a similar stance on appeasement.

So what's left for Mr. Stevens at the end? He mentions that he needs to learn how to banter, as bantering seems to be a way to connect with people. However, his main reason for learning banter is to better please his new American employer. He's a butler, through and through, to the end. It could be that's the impression he wants to leave to the reader, but it's also probably the only solid reality he can hang onto in his life, the only way he knows how to keep living.

Thursday, September 1, 2011

Good Short Fiction: 3 stories from Carry On, Jeeves

Collection: Carry On, Jeeves
Author: P.G. Wodehouse (Pelham Grenville Wodehouse)

Carry On, Jeeves centers on Bertie Wooster, a jovial air-headed upper-class English bachelor, and his manservant, the cool, impeccable and intelligent Jeeves (a "gentleman's gentleman"), who manages Bertie's life and rescues him and his friends from various mishaps. The stories are set in the early 20th century; a gentleman like Bertie could have an easy-going life waking up late, dining at his club, and drinking throughout the day. Carry On, Jeeves is a fun collection; I didn't read more than one or two stories at a time - there are plot points that tend to repeat, though Wodehouse's cleverness with the English language is always a delight and the main reason I read his work. These are the stories that stood out for me:

The Aunt and the Sluggard
Most of the stories feature one of Bertie's close friends who is usually a slacker with a silly nickname (e.g. Biffy or Sippy). In this one the layabout is nicknamed Rocky (short for Rockmetteller); he lives in a cabin out on Long Island, NY where he spends most of the month sleeping and meditating on the movements of earthworms, except for a few days where he writes bad poetry that gets lapped up by American magazines. One reason I'm recommending this story is the poetry, a fine example of Wodehouse's satirical talents:
Be!
Be!
The past is dead,
Tomorrow is not born.
Be today!
Today!

In Wooster-Jeeves stories there's often a domineering aunt or uncle making demands on a slacker nephew. Bertie suffers such oppression from his Aunt Agatha, but in this story the victim is Rocky. His aunt lives out in the Midwest and would like him to send her colorful descriptions of life in New York City; in exchange she'll give him money and keep him in her will. Most men would be ecstatic at such a deal, but Rocky isn't most men; the thought of living in NYC, away from his cabin and earthworms, is horrifying to him.

Fortunately for him Bertie happens to be visiting NYC, and the plan is to send Jeeves out to do research on the city's high life; the image of Jeeves smoking a fat cigar at a cabaret and scrutinizing 5th Avenue fashions is classic. Of course things get complicated when Rocky's aunt, enthralled by his accounts of city life, decides to visit. Meantime Bertie and Jeeves have their own angst to work through. Another recurring plot point in these stories is Bertie rebelling against Jeeves by wearing a hideous outfit or refusing to shave his mustache. It's a regular battle of wills between them. Invariably they work through these rough patches in their relationship, with Bertie seeing the error of his ways.

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Bertie Changes His Mind
It's strange to think of a Wooster-Jeeves story as dark, but this one has a darkness to it. Rather than being told from Bertie's point-of-view, we hear the tale from Jeeves. Jeeves is always clever, resourceful and manipulative, but the way he manages Bertie in this story is a little disturbing - he squashes Bertie's unprecedented desire for a more meaningful life. At the beginning of the story Bertie is out-of-sorts and wonders if there's more to life than waking up late, drinking, and being amiable. He considers inviting his sister and her children to live with him for a time, just to see what it would be like to have kids around. To Jeeves these impulses are alarming. If Bertie seriously contemplates marriage, and finally weds and has children, it will likely result in Jeeves having to find another position. Jeeves likes things as they are; he has a comfortable situation, and he has no intention of letting Bertie disrupt the relationship they have established, with Jeeves as a fatherly puppet master and Bertie as a mostly likeable (though at times recalcitrant) child.

There's some hilarious writing here, especially when Jeeves reflects on his former employer, Montague-Todd. As for the method he uses to cure Bertie of any wishes for a family - it's both funny and humiliating. Poor Bertie. Who knows what kind of man he might have become, and what meaning his life might have had, but by the end of the story he's back to his usual self. Settling down at the end of the day he explains to Jeeves why he's contented with his life again:
"I mean, looking at the clock and wondering if you're going to be late with the good old drinks, and then you coming in with the tray always on time, never a minute late, and shoving it down on the table and biffing off, and the next night coming in and shoving it down and biffing off, and the next night - I mean, it gives you a sort of safe, restful feeling. Soothing! That's the word."

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Jeeves and the Unbidden Guest
Bertie's leisurely stay in New York City is disturbed when he finds out he has to look after 23 year old Wilmot (nicknamed "Motty"), the sheltered son of one of Aunt Agatha's friends, Lady Malvern, who hails from Much Middlefold, Shropshire. Wilmot seems at first to be a peaceable twit who will sit quietly in Bertie's apartment sucking on his walking-stick and leafing through books all evening before retiring to bed with a glass of warm milk. What Bertie doesn't count on is that a young man who has never been granted much independence will go wild in a place like NYC. As he explains to Bertie at one point:
"I've been cooped up in the ancestral home at Much Middlefold, in Shropshire, and till you've been cooped up in Much Middlefold you don't know what cooping is! The only time we get any excitement is when one of the choir-boys is caught sucking chocolate during the sermon. When that happens, we talk about it for days. I've got about a month of New York, and I mean to store up a few happy memories for the long winter evenings."

If Wilmot gets in trouble going on wild benders through the city, Bertie will face the double wrath of his Aunt Agatha and of Wilmot's mother. Thankfully Jeeves finds a devious way of helping Bertie out and making sure Motty will be kept confined.

Jeeves and the Unbidden Guest has the distinction of being the first ever Wooster-Jeeves tale I read. I love Bertie's happy ramblings and how they contrast with Jeeves's worldliness, eloquence and masterful understatements. There's no one who talks like Bertie: "Won't you have an egg or something? Or a sausage or something? Or something?" and -
It's only after a bit of breakfast that I'm able to regard the world with that sunny cheeriness which makes a fellow the universal favourite. I'm never much of a lad till I've engulfed an egg or two and a beaker of coffee.

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*I've added this post to Short Stories on Wednesday #8 at the Bread Crumb Reads blog.