Showing posts with label Scotland. Show all posts
Showing posts with label Scotland. Show all posts

Friday, February 12, 2016

Five Older Movies to Watch on Valentine's Day

Or on other days. I watched these in the last year and a half, and have been meaning to write about them. This list is an excuse to. They're all quite different from each other, and make an interesting mix.

Title: The African Queen (1951)
Director: John Huston
Language: English (and a little German and Swahili)
Rating: PG

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This is a fun, uncomplicated movie set in German East Africa during the start of World War I. Charlie Allnut (Humphrey Bogart) is a grungy, adorably monkey-faced Canadian steamboat captain who delivers mail and other supplies in the area. Rose Sayer (Katharine Hepburn) is a stern and decorous British missionary who needs to get out of German territory.

In Charlie, there are echoes of previous characters Bogart has played - men who want to sit out a war and stay neutral. Rose, on the other hand, is determined to use Charlie's steamboat to make an unexpected strike at the Germans. Hepburn combines in her the spirit of a warrior with the demeanor of a prim spinster. She and Allnut fall in love, and their wedding ceremony is funny (and brief). Along with Hepburn and Bogart's performances, another reason to watch the movie is that it was filmed mostly in Africa, with great difficulty.

Title: Design for Living (1933)
Director: Ernst Lubitsch
Language: English (and some French)
Rating: Unrated

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A good Lubitsch movie is like champagne. In this one, Gilda Farrell (Miriam Hopkins) illustrates ads for a living and meets two impoverished artists on a train: a painter, George Curtis (Gary Cooper), and a playwright, Tom Chambers (Frederic March), who is quick to tell her, "I write unproduced plays. I'm very good at that kind." She becomes their critic, driving them towards commercial success. She's also deeply attracted to them, finding it difficult to choose one over the other, and who can blame her. As the movie progresses, the question changes from which one of them she should choose to why can't she have them both.

Design for Living is good-natured, witty, risqué, and really funny. Gilda has one other suitor in the movie, Max Plunkett (Edward Everett Horton), who presents a safe, respectable and also soul-killing choice, as they have no compatibility. Should someone settle for safety as a mere escape from difficult decisions and intriguing, unconventional possibilities?