clubhouse
The conference room smells like grease, leather, and aftershave. The attendees, mostly men, scarf down pizza and sit on colorful plastic chairs. They're talking about cutting-edge technology, while pretending that they're in a school cafeteria. There are board games stacked on every table.
colossal
The giant seated ballerina looks like a float that broke off from a parade and came to rest among skyscrapers.
future
Ten years ago, did you imagine your life as it is now? (When I ask her this, she shakes her head and frowns.) So that means that ten years from now, your life may also become something you can't currently imagine. Hopefully in a good way. You aren't stuck.
needling
After demanding that he prove his identity, they ask him a bunch of questions about himself. Like, "What's your nickname for string cheese?" He answers each one, but they look skeptical, telling him that they're not sure it's really him. These are the kind of mind games older siblings come up with.
overtures
Building a fragile trust with the baby, who smiles with saliva-bubbly lips and then breaks into a wail.
pause
Sunlight, green leaves, and a pale gray pond in the early morning.
prelude
Balloons float off into a dusky sky as the orchestra warms up.
It lifted off from a chair-back,
Beating a smooth course for the right window
And clearing the sill of the world.
- Richard Wilbur, "The Writer"
Monday, February 26, 2018
Friday, February 23, 2018
Five Short Stories Set on Staten Island
Staten Island is an underrated borough, sometimes talked about as if it's basically a landfill with some homes. However, there are beautiful places on the island, like these:


And there are plenty of interesting stories to be told there. The ones here are from a collection called Staten Island Noir (part of the Akashic Books noir series, which collects stories about crime and mystery from around the world...). So all of the stories here are dark in nature. A couple are quite funny though. And yes, a landfill plays an important role in a couple of them too (that's inevitable, for Staten Island).


And there are plenty of interesting stories to be told there. The ones here are from a collection called Staten Island Noir (part of the Akashic Books noir series, which collects stories about crime and mystery from around the world...). So all of the stories here are dark in nature. A couple are quite funny though. And yes, a landfill plays an important role in a couple of them too (that's inevitable, for Staten Island).
Wednesday, February 14, 2018
Week in Seven Words #385
cadence
The barefoot woman on the terrace is singing as she arranges her body into meditative poses. Her voice, clear and high, reminds me of the music of Hildegard von Bingen.
dissolve
The tiramisu melts at the touch of the fork.
efficiency
I feel like a package on a conveyor belt, directed first to the booth with the camera models, then to a counter for processing the order, followed by another counter for the payment, and then to the pick-up area, until I'm finally deposited through the automatic doors to the curb.
enjoyment
The first thing that delights him about the trip is the length between stops for the express train. For her, it's the garden where she hovers over flowers with her camera.
functions
Exploring an herb garden: the spidery magic of milk thistle, and sharp, refreshing scents of rosemary and sage. The gardener gives a talk on women's medicine in the Middle Ages, including plants, like birthwort, that led to serious health problems. At one point, she begins referring to menses by its old-fashioned euphemism, "the flowers." Someone becomes confused about which flowers she's discussing.
pictorial
The accuracy of the text is questionable, but the illustrations are compelling, inviting the reader to discover obscure connections between plants and people.
twist
Her horror story begins with a man sitting alone on a boulder in the woods. It ends with a giant, murderous avocado bursting through a kitchen door.
The barefoot woman on the terrace is singing as she arranges her body into meditative poses. Her voice, clear and high, reminds me of the music of Hildegard von Bingen.
dissolve
The tiramisu melts at the touch of the fork.
efficiency
I feel like a package on a conveyor belt, directed first to the booth with the camera models, then to a counter for processing the order, followed by another counter for the payment, and then to the pick-up area, until I'm finally deposited through the automatic doors to the curb.
enjoyment
The first thing that delights him about the trip is the length between stops for the express train. For her, it's the garden where she hovers over flowers with her camera.
functions
Exploring an herb garden: the spidery magic of milk thistle, and sharp, refreshing scents of rosemary and sage. The gardener gives a talk on women's medicine in the Middle Ages, including plants, like birthwort, that led to serious health problems. At one point, she begins referring to menses by its old-fashioned euphemism, "the flowers." Someone becomes confused about which flowers she's discussing.
pictorial
The accuracy of the text is questionable, but the illustrations are compelling, inviting the reader to discover obscure connections between plants and people.
twist
Her horror story begins with a man sitting alone on a boulder in the woods. It ends with a giant, murderous avocado bursting through a kitchen door.
Labels:
desserts,
flowers,
gardens,
human body,
illustrations,
music,
plants,
shopping,
songs,
stories,
trains,
week in seven words
Tuesday, January 30, 2018
Week in Seven Words #384
china
The town is charming and delicate. There's a sheltered dock with a gazebo, and a street with shops displaying quaint, insubstantial things. Only the vehicles seem out of place: heavy, expensive cars and a bus that wheezes to a stop to take us away.
chrome
A dazzling set of motorcycles outside a convenience store. Some of the riders head inside, others stretch out on a grassy slope that leads down to the trees.
consequence
They stand at opposite ends of a coppery pool and play catch. If the ball lands in the water, the game will end.
feathered
A bird drops backwards from a branch, then twirls midair and rockets off.
glade
The dirt track ends at a clearing steeped in early evening light. Logs and flat rocks are scattered around it, as if at nightfall creatures will emerge from the trees to take their seats and hold an assembly.
meter
When hiking a familiar route, he brings a book for the gentler sections. This time it's a collection of Emily Dickinson's poetry. Another time it was short stories by Chekhov.
talus
Sometimes the path is made up of wood planks or smooth dirt. Other times, it's a jumble of rocks and roots that jerk my ankles in different directions.
The town is charming and delicate. There's a sheltered dock with a gazebo, and a street with shops displaying quaint, insubstantial things. Only the vehicles seem out of place: heavy, expensive cars and a bus that wheezes to a stop to take us away.
chrome
A dazzling set of motorcycles outside a convenience store. Some of the riders head inside, others stretch out on a grassy slope that leads down to the trees.
consequence
They stand at opposite ends of a coppery pool and play catch. If the ball lands in the water, the game will end.
feathered
A bird drops backwards from a branch, then twirls midair and rockets off.
glade
The dirt track ends at a clearing steeped in early evening light. Logs and flat rocks are scattered around it, as if at nightfall creatures will emerge from the trees to take their seats and hold an assembly.
meter
When hiking a familiar route, he brings a book for the gentler sections. This time it's a collection of Emily Dickinson's poetry. Another time it was short stories by Chekhov.
talus
Sometimes the path is made up of wood planks or smooth dirt. Other times, it's a jumble of rocks and roots that jerk my ankles in different directions.
Sunday, January 28, 2018
Week in Seven Words #383
afternoon
A fatty meal, followed by shooting hoops in the driveway and a video introduction to the largest dogs in the world.
creepily
It would be an eerie statue to visit at night, the Alice in Wonderland who sits on her giant mushroom at the east side of the park. She's smiling, dead-eyed, while the Mad Hatter grins unpleasantly beside her.
employees
On three occasions, strangers approach me at a bookstore or convenience store for advice on which birthday card to buy for their boss. I don't know why I've been chosen to help, but it's a responsibility I try not to take too lightly.
hearty
Somewhere in the trees, there's a frenzied drummer. To the east, a charity walk pours down a broad paved path. Cheerleaders with dazzling pom-poms shout encouragement. In a clearing across from the cheerleaders, LARPers skirmish with foam weapons. Another group practices capoeira, and a saxophonist, playing under a bridge, is enfolded in the echoes of his music.
infusing
On a terrace by the lake, a man with a guitar sings "Layla." He performs with heart and a voice rough with age. His music colors the stones and the water, and it nourishes the people who walk by. A few smile at him.
pivot
The kids are in high spirits. They dance (including swing dance!) and sing to the music churned out by a piano player who labors body and soul to do justice to Duke Ellington. The evening's low point is at the start, when a teacher uses the words 'hip' and 'cool' and then looks like she can't get the taste of them out of her mouth.
ungovernable
The storm smashes through the park like a tantrum. Branches dangle like the arms of marionettes.
A fatty meal, followed by shooting hoops in the driveway and a video introduction to the largest dogs in the world.
creepily
It would be an eerie statue to visit at night, the Alice in Wonderland who sits on her giant mushroom at the east side of the park. She's smiling, dead-eyed, while the Mad Hatter grins unpleasantly beside her.
employees
On three occasions, strangers approach me at a bookstore or convenience store for advice on which birthday card to buy for their boss. I don't know why I've been chosen to help, but it's a responsibility I try not to take too lightly.
hearty
Somewhere in the trees, there's a frenzied drummer. To the east, a charity walk pours down a broad paved path. Cheerleaders with dazzling pom-poms shout encouragement. In a clearing across from the cheerleaders, LARPers skirmish with foam weapons. Another group practices capoeira, and a saxophonist, playing under a bridge, is enfolded in the echoes of his music.
infusing
On a terrace by the lake, a man with a guitar sings "Layla." He performs with heart and a voice rough with age. His music colors the stones and the water, and it nourishes the people who walk by. A few smile at him.
pivot
The kids are in high spirits. They dance (including swing dance!) and sing to the music churned out by a piano player who labors body and soul to do justice to Duke Ellington. The evening's low point is at the start, when a teacher uses the words 'hip' and 'cool' and then looks like she can't get the taste of them out of her mouth.
ungovernable
The storm smashes through the park like a tantrum. Branches dangle like the arms of marionettes.
Labels:
Central Park,
childhood,
dance,
decisions,
music,
performance,
sculpture,
songs,
storms,
walks,
week in seven words
Friday, January 26, 2018
Three movies about people with precarious lives in the US
Title: Ballast (2008)
Director: Lance Hammer
Language: English
Rating: Not rated
At the start of the movie, a man has committed suicide off-screen. The people he leaves behind include his identical twin, Lawrence (Michael J. Smith Sr.). The movie takes its time revealing who everyone is. The suicide disturbs their already difficult lives and stirs up emotions that could overwhelm them. In the course of the movie, they redefine their lives in some ways and draw together to keep from succumbing to despair and poverty. Sometimes, they seem like the only three people in their world (if one died, only the other two would notice - though at one point there's also a kind neighbor, played by Johnny McPhail, whose intervention saves a life).
The two others are Marlee (Tarra Riggs) and her teenaged son, James (JimMyron Ross). James is a misdirected kid. The adults in his life have serious hardships of their own, so that in spite of good intentions they don't always offer him the guidance he needs, though they try. The school he goes to seems to give him only opportunities to be preyed on. His life is closed-off and lonely, though the filmmakers thread some hope into it, in his changing relationship to a gun: a gun he first uses to express anger and a show of control, then uses as possible self-protection, until he does something with it to attempt to prevent further death.
Where the characters live, in the Mississippi Delta, the landscape is muddy and gray in the winter (sometimes it's startling, like when birds in a noisy mass burst into the sky). The characters cling to the lifelines they can find, including a gas station and convenience store that's been abandoned and might serve as their livelihood and a second chance of sorts. Maybe these characters would be worse off, more lonely and directionless, if they were apart from each other.
As the movie ended, I wondered what would happen to James. His mother wants to save him from violent kids, but can she protect him from the demons inside, the impulses of self-destruction? What's his place in the world, living with despondent, angry adults? There's a shot at the end of the movie of a man in the front passenger seat of a car, and for a second I thought it was James, but no - the movie has remained in the present. James is in the backseat. But this could be his future, traveling through the same ruts in a muddy landscape.
Director: Lance Hammer
Language: English
Rating: Not rated
At the start of the movie, a man has committed suicide off-screen. The people he leaves behind include his identical twin, Lawrence (Michael J. Smith Sr.). The movie takes its time revealing who everyone is. The suicide disturbs their already difficult lives and stirs up emotions that could overwhelm them. In the course of the movie, they redefine their lives in some ways and draw together to keep from succumbing to despair and poverty. Sometimes, they seem like the only three people in their world (if one died, only the other two would notice - though at one point there's also a kind neighbor, played by Johnny McPhail, whose intervention saves a life).
The two others are Marlee (Tarra Riggs) and her teenaged son, James (JimMyron Ross). James is a misdirected kid. The adults in his life have serious hardships of their own, so that in spite of good intentions they don't always offer him the guidance he needs, though they try. The school he goes to seems to give him only opportunities to be preyed on. His life is closed-off and lonely, though the filmmakers thread some hope into it, in his changing relationship to a gun: a gun he first uses to express anger and a show of control, then uses as possible self-protection, until he does something with it to attempt to prevent further death.
Where the characters live, in the Mississippi Delta, the landscape is muddy and gray in the winter (sometimes it's startling, like when birds in a noisy mass burst into the sky). The characters cling to the lifelines they can find, including a gas station and convenience store that's been abandoned and might serve as their livelihood and a second chance of sorts. Maybe these characters would be worse off, more lonely and directionless, if they were apart from each other.
As the movie ended, I wondered what would happen to James. His mother wants to save him from violent kids, but can she protect him from the demons inside, the impulses of self-destruction? What's his place in the world, living with despondent, angry adults? There's a shot at the end of the movie of a man in the front passenger seat of a car, and for a second I thought it was James, but no - the movie has remained in the present. James is in the backseat. But this could be his future, traveling through the same ruts in a muddy landscape.
Tuesday, January 23, 2018
Week in Seven Words #382
meditative
In the late evening, a man does Tai Chi by the river. His fluid, practiced movements make him a graceful silhouette against the last blaze of sunlight on the water.
meteorology
We're at a long rectangular table. It seems to be under the influence of different weather phenomena. At the far end, three people are rumbling with thunderous anger. In a chair near them, a woman suddenly smiles and speaks in a reassuring voice, like sunlight breaking through clouds. Among the children, there's balmy, breezy weather; they're relaxed, laughing and chatting.
noting
His explorations take him through a room full of alcohol, oysters, and chatter. (What are people eating and wearing? How is the restaurant organized, indoors and outdoors?) We watch volleyball players next. "What do you notice about them?" he asks. I mention that they're all men, roughly 25-40 years old. Maybe they're co-workers or in an amateur league. But there's something else I haven't mentioned. "Look at how they're all smiling," he says. He's noticed their happiness.
portraits
In quiet corners of the elevated park, people are curled up on benches - sometimes in pairs or in small groups of friends, other times reading alone or murmuring into their phones. One woman meditates in lamplight. The park snakes past apartment buildings on the level of their upper floors. The window shades are not entirely effective. There are still glimpses of life at home: a pair of feet in a foot bath, the flicker of a TV, an empty, neatly made bed, an empty bathtub in dim blue light.
serenely
Clouds coast on a baby blue sky. The horizon has softened to a shade of peach. Fishermen set up a boom box that plays soft percussive music.
telescope
It's amazing that this is really Jupiter I'm seeing - the pinprick of light resolving into an image of the distant planet. Almost as if I could touch it.
theme
The dance she comes up with is a sequence of summer images: bees, sprinklers, back strokes, ocean waves, and sunshine.
In the late evening, a man does Tai Chi by the river. His fluid, practiced movements make him a graceful silhouette against the last blaze of sunlight on the water.
meteorology
We're at a long rectangular table. It seems to be under the influence of different weather phenomena. At the far end, three people are rumbling with thunderous anger. In a chair near them, a woman suddenly smiles and speaks in a reassuring voice, like sunlight breaking through clouds. Among the children, there's balmy, breezy weather; they're relaxed, laughing and chatting.
noting
His explorations take him through a room full of alcohol, oysters, and chatter. (What are people eating and wearing? How is the restaurant organized, indoors and outdoors?) We watch volleyball players next. "What do you notice about them?" he asks. I mention that they're all men, roughly 25-40 years old. Maybe they're co-workers or in an amateur league. But there's something else I haven't mentioned. "Look at how they're all smiling," he says. He's noticed their happiness.
portraits
In quiet corners of the elevated park, people are curled up on benches - sometimes in pairs or in small groups of friends, other times reading alone or murmuring into their phones. One woman meditates in lamplight. The park snakes past apartment buildings on the level of their upper floors. The window shades are not entirely effective. There are still glimpses of life at home: a pair of feet in a foot bath, the flicker of a TV, an empty, neatly made bed, an empty bathtub in dim blue light.
serenely
Clouds coast on a baby blue sky. The horizon has softened to a shade of peach. Fishermen set up a boom box that plays soft percussive music.
telescope
It's amazing that this is really Jupiter I'm seeing - the pinprick of light resolving into an image of the distant planet. Almost as if I could touch it.
theme
The dance she comes up with is a sequence of summer images: bees, sprinklers, back strokes, ocean waves, and sunshine.
Labels:
astronomy,
childhood,
dance,
human body,
martial arts,
meals,
meditation,
parks,
perceptions,
planets,
restaurants,
seasons,
sky,
week in seven words
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